Iranian composer Mehdi Hosseini shares his student’s testimony of an attack in Iran and reflects on war, civilian suffering, and the interruption of artistic life.
For me, however, Shir-Mohammad Espandar was far more than an extraordinary performer. He became an essential part of my own musical imagination.
A statement on the human cost of conflict, dehumanizing threats, and the importance of protecting culture, dignity, and peace.
The composer had a recording published in Tehran, which were written based on regional folk tunes from different parts of Iran.
The string quartet №.2 makes use of popular Bakhtiari folk tunes, each of which belongs to a certain magham.
The composer has endeavored to reveal the importance of multi sound forms used in eastern music as well as the rich heritage of regional music – all within a mono-thematic symphonic design – as a testimony to the Persian musical character and spirit.