When a Composer Cannot Reach the Music
Iranian composer Mehdi Hosseini shares his student’s testimony of an attack in Iran and reflects on war, civilian suffering, and the interruption of artistic life.
Iranian composer Mehdi Hosseini shares his student’s testimony of an attack in Iran and reflects on war, civilian suffering, and the interruption of artistic life.
For me, however, Shir-Mohammad Espandar was far more than an extraordinary performer. He became an essential part of my own musical imagination.
A statement on the human cost of conflict, dehumanizing threats, and the importance of protecting culture, dignity, and peace.
The composer had a recording published in Tehran, which were written based on regional folk tunes from different parts of Iran.
The string quartet №.2 makes use of popular Bakhtiari folk tunes, each of which belongs to a certain magham.
The composer has endeavored to reveal the importance of multi sound forms used in eastern music as well as the rich heritage of regional music – all within a mono-thematic symphonic design – as a testimony to the Persian musical character and spirit.